I dette essayet reflekterer Reiulf Ramstad over temaet og ambisjonene for den aller første triennalen i 2000, "Byens livsformer". Reiulf Ramstad var en av idéutviklerne for en arkitekturtriennale i Oslo. //
In this essay, Reiulf Ramstad reflects on the theme and ambitions of the very first triennial in 2000, ”Ways of living”. Ramstad was one of the initiators behind the idea of an architecture triennale in Oslo.
Medvirkning og medbestemmelse blir stadig viktigere når byen skal utvikles. Men vet vi nok om hva som skal til for å sikre gode medvirkningsprosesser? Hvilke metoder fungerer, og ikke minst, hvordan sikrer vi at innbyggernes innspill faktisk blir brukt?
I denne frokostmøteserien løfter vi frem tre utvalgte temaer som har preget både Oslo og triennalen gjennom årene: medvirkning, bolig og bokvalitet, og klima. Samarbeidspartnere for de tre frokostmøtene er Deichman Tøyen, Oslo arkitektforening og Klimahuset ved Naturhistorisk museum.
This episode focuses on participation and on how to integrate the citizens in urban planning processes. How do we secure fair and equal development in the city, and how to involve and make room for diversity?
Interview partners: The Mayor of Oslo, Marianne Borgen and Mads Pålsrud, founder of Growlab.
Mies.TV is a young international network operating at the intersection of architecture and video. Together with students from AHO, they have produced a documentary video series based on topics from OAT's archive. Mies. TV was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.
Berlin-based architecture practice forty-five degrees has developed the project "Oslo In Action(s)", a digital atlas that shines light on the diversity of city-makers who take care of their neighborhood and community through tactical, inventive actions and rituals.
Meet Alkistis Thomidou and Gianmaria Socci from forty-five degrees in conversation about the atlas with Alexandra Cruz from OAT.
In this series of conversations, we meet the people behind three projects developed for the jubilee programme, based on OAT's archives. The projects have been selected through an open call in collaboration with Future Architecture Platform.
“Oslo In Action(s)” is a digital atlas that maps and shines light on the diversity of city-makers and complex networks who take care of their neighborhood and community through tactical, inventive actions and rituals.
This ongoing research project is conceived by forty-five degrees, an architecture and urban design practice based in Berlin, dedicated to the critical making of collective space.Forty-five degrees was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.
Denne episoden tar for seg arkitekturkritikken og den offentlige samtalen om arkitektur og byutvikling.
Gjester i studio er Mona Pahle Bjerke (høgskolelektor ved både Kunsthøyskolen og Arkitektur- og designhøgskolen i Oslo, og kunstkritiker og arkitekturkritiker for NRK) og Anders Rubing (arkitekt og kurator for utstillingen «Jævla kritiker» på ROM for kunst og arkitektur).
Arkitekturpodden samler stemmer i og utenfor arkitekturfeltet for å reflektere over utvalgte temaer som påvirker både hvordan vi utformer og opplever arkitektur.
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Digital byggeplassbefaring til ambisiøst ombruksprosjekt
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Bli med på digital byggeplassbefaring til Kristian Augusts gate 13 i Oslo! Bygget er et ambisiøst ombruksprosjekt der Entra bygger Norges første sirkulære bygg etter FutureBuilts kriterier. Arkitekt er MAD.
A discussion with architecture historian Mari Lending about her essay "Underground Inspiration" from the first Triennale's catalogue, around how architecture was framed and discussed then and now, 20 years later.
In this series of seven interviews, one for each iteration of the triennale, the British architectural writer Will Jennings is exploring some of the individuals, places, ideas and actions that have shaped twenty years of OAT. Will Jennings was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.
I dette essayet reflekterer Gudmund Stokke over temaet og konseptet for den andre utgaven av triennalen, «Visjoner for hovedstaden». Gudmund Stokke var president i NAL, som var ansvarlig for triennalen, i 2003.
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In this essay, Gudmund Stokke reflects on the theme and concept of the second edition of the triennale, «Visions for the capital». Gudmund Stokke was president of NAL, that was behind for the triennale in 2003.
Why should we make exhibitions about architecture? This episode presents a conversation on exhibiting architecture and how to attract a diverse audience.
Interview partners: Nina Berre, former director of Architecture at the National Museum and Gjertrud Steinsvåg, leader of ROM.
Mies. TV is a young international network operating at the intersection of architecture and video. Together with students from AHO, they have produced a documentary video series based on topics from OAT's archive. Mies. TV was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.
The British architectural writer Will Jennings is the author of the interview series "Fragments", presenting seven interviews in different formats, one for each iteration of the triennale, exploring some of the individuals, places, ideas and actions that have shaped twenty years of OAT.
Meet Will Jennings in a conversation about the interview series with Alexandra Cruz from OAT.
In this series of conversations, we meet the people behind three projects developed for the jubilee programme, based on OAT's archives. The projects have been selected through an open call in collaboration with Future Architecture Platform.
Denne episoden vil handle om mangfold, om kvinner og om viktigheten av å diskutere både forbilder og etablerte sannheter.
Gjester i studio er Anna Aniksdal (Oslo arkitektforening) og Tina Lam (redaktør i Magasinet KOTE og landskapsarkitektur-student ved NMBU).
Arkitekturpodden samler stemmer i og utenfor arkitekturfeltet for å reflektere over utvalgte temaer som påvirker både hvordan vi utformer og opplever arkitektur.
18:00
Wohnprojekt Wien. Sustainable urban housing in Vienna
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Katharina Bayer, partner i det østerrikske arkitektkontoret einszueins architektur, var i 2016 på FutureBuilts årlige konferanse. Bayer inspirerte både utbyggere og arkitekter da hun snakket om det banebrytende boligprosjektet Wohnhaus Wien.
In 2003, an inflatable form appeared in Oslo city centre. Shortly after, it was deflated and disappeared from the city. A playful intervention into what a city is intrigued Will Jennings, who wasn’t sure who to interview in order to grapple what the pneumatic building meant at the time, or what it could mean looking back from 2020. Instead, with the seventeen intervening years also framing his own journey from architecture school graduate to architectural writer, he interviews an imagined version of himself from 2003. Newly commissioned works by emerging Oslo artist Jørgen Herleiksplass Lie, final year MFA student at Oslo’s Kunstakademiet, illustrate this illusory attempt to assign meaning to moments of the past.
In this series of seven interviews, one for each iteration of the triennale, the British architectural writer Will Jennings is exploring some of the individuals, places, ideas and actions that have shaped twenty years of OAT. Will Jennings was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.
I dette essayet reflekterer Gary Bates over temaet for triennalen i 2007, «Culture of Risk», og arkitektens rolle da og nå. Gary Bates var kurator for 2007-triennalen. Essayet vil være på engelsk. //
In this essay, Gary Bates reflects on the theme of the 2007 edition of the triennale, "Culture of Risk", and the role of the architect then and now. Bates was the curator of the triennale in 2007.
Hvordan vi bor er viktig for både for helse, trivsel og trygghet. Hva skal til for at disse behovene blir prioritert i en markedsstyrt boligutbygging? Hva kjennetegner en god bolig, og hvordan sikrer vi tilgang til kvalitet for flest mulig?
I denne frokostmøteserien løfter vi frem tre utvalgte temaer som har preget både Oslo og triennalen gjennom årene: medvirkning, bolig og bokvalitet, og klima. Samarbeidspartnere for de tre frokostmøtene er Deichman Tøyen, Oslo arkitektforening og Klimahuset ved Naturhistorisk museum.
In this episode we learn more about how and why students should be involved in events like OAT. We also hear from the students themselves on their experiences from participating.
Interview partners: Karl Otto Ellefsen (professor), Gro Bonesmo (architect), Lea-Catherine Szacka (architecture historian) and Roman Kekel (student).
Mies.TV is a young international network operating at the intersection of architecture and video. Together with students from AHO, they have produced a documentary video series based on topics from OAT's archive. Mies. TV was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.
Enda en diskusjon om bolig? Ja, det er altfor viktig til å gå lei av. I de store byene i Norge, med Oslo i spissen, er fortsatt en god bolig et privilegium.
Gjester i studio er Siv Helene Stangeland og Reinhard Kropf fra arkitektkontoret Helene & Hard.
Arkitekturpodden samler stemmer i og utenfor arkitekturfeltet for å reflektere over utvalgte temaer som påvirker både hvordan vi utformer og opplever arkitektur.
Hva skjer når vi skifter fokus til transformasjon og ombruk? Hva er arkitektens rolle, og hvordan kan digitale verktøy understøtte byggeprosjekter? Hvilke systemer må være på plass for å implementere en sirkulær tankegang for byggeprosesser, og ikke minst: Hvilke tverrfaglige strategier kan vi ta i bruk når vi setter ut sirkulær økonomi i praksis?
From a conversation with architect and architectural critic Ingerid Helsing Almaas about Arkitektur N's contribution to the triennale in 2007, titled «B-sides», which presented unrealized architecture in Norway, the idea of risk in architectural design is explored and what risks are greater now, thirteen years later.
In this series of seven interviews, one for each iteration of the triennale, the British architectural writer Will Jennings is exploring some of the individuals, places, ideas and actions that have shaped twenty years of OAT. Will Jennings was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.
I dette essayet reflekterer Bjarne Ringstad over temaet for triennalen i 2010, «Man Made», og OATs rolle sett fra dagens perspektiv. Bjarne Ringstad var kurator for 2010-triennalen.
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In this essay, Bjarne Ringstad reflects on the theme of the triennale in 2010, «Man Made», and the role of OAT in architectural discourse. Ringstad was the curator of the triennale in 2010.
This episode is about the empty buildings. While many buildings in Oslo are being empty, the city is still building more and more without using what is already there. How do we deal with these empty buildings and who has the right to use them?
Interview partners: Architect student Tina Lam and Frankie.
Mies.TV is a young international network operating at the intersection of architecture and video. Together with students from AHO, they have produced a documentary video series based on topics from OAT's archive. Mies. TV was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.
Vi vet at arkitektur og byutvikling er et av de store problemene i møtet med klimakrisen. Å bygge nytt er uhyre forurensende, men likevel fortsetter vi mer eller mindre som før. Hva skal til for å snu utviklingen? Har vi kanskje allerede svaret?
Gjester i studio er Åshild Wangensteen Bjørvik (daglig leder, Mad arkitekter Oslo), Lene K. Westeng (ombruksrådgiver, Resirqel) og Håvar Haugen Espelid (prosjektleder for Kristian Augusts gate 13, Entra). Akitekturpodden samler stemmer i og utenfor arkitekturfeltet for å reflektere over utvalgte temaer som påvirker både hvordan vi utformer og opplever arkitektur.
Meet the curators and initiators of the seven editions of the triennale in a digital conversation. The conversation will take its starting point in the essay series also part of the 20th anniversary of OAT. The curators
and initiators of the seven editions of the triennale are invited to reflect on the ideas, questions and
expectations of the work they did then, from today's perspective. Each
essay is dedicated to one of the triennale editions
back to 2000. The project is a collaboration with Arkitektur N.
A strong component of Oslo Architecture Triennale is the exhibition and publication of research, new architectural propositions and fresh ideas for imagining the capital. The theme of 2010, Man Made, focused on innovative and progressive spatial policies with a view towards a more sustainable way of living. This included research of and propositions for the Groruddalen Valley by Geir Nummedal and Anders Hus Folkedal, then recently graduated students, and Will Jennings invited them to revisit their project, and the valley, a decade later.
In this series of seven interviews, one for each iteration of the triennale, the British architectural writer Will Jennings is exploring some of the individuals, places, ideas and actions that have shaped twenty years of OAT. Will Jennings was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.
20:00
Jubileumsfest
Avlyst
Velkommen til feiringen av OATs 20-årsjubileum.
Vi krysser fingrene for at vi kan feire jubileet med både nye og gamle bekjentskaper fra OATs historie og håper vi kan møtes på Arkitektenes Hus, der de aller første ideene om en arkitekturtriennalen i Oslo ble diskutert.
Følg med for oppdateringer om hva som blir mulig innenfor gjeldende smittevernregler.
I dette essayet reflekterer Rotor over temaet for triennalen i 2013, «Bak den grønne døren», og hvilken betydning triennalen har hatt for fagdiskusjonen knyttet til bærekraft og eget virke. Rotor var kuratorer for 2013-triennalen.
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In this essay, Rotor reflects on the theme of the triennial in 2013, "Behind the green door", and the significance OAT has had for the both the discussion on sustainability and for their own work. Rotor were the curators of the triennale in 2013.
Arkitektur og byutvikling legger de fysiske rammene for hvordan vi lever våre liv og hvordan vi organiserer oss som samfunn. Samtidig står byggebransjen for 40% av verdens klimautslipp. Kan arkitektur være klimavennlig?
I denne frokostmøteserien løfter vi frem tre utvalgte temaer som har preget både Oslo og triennalen gjennom årene: medvirkning, bolig og bokvalitet, og klima. Samarbeidspartnere for de tre frokostmøtene er Deichman Tøyen, Oslo arkitektforening og Klimahuset – Naturhistorisk museum.
In this last episode of this series both professionals and people of the city are interviewed about what home means to them and where in Oslo they feel that they belong.
Mies.TV is a young international network operating at the intersection of architecture and video. Together with students from AHO, they have produced a documentary video series based on topics from OAT's archive. Mies. TV was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.
Mies. TV, a network at the intersection of architecture and video, has, together with students from AHO, produced a documentary film series based on topics from OAT's archive and history, interviewing several people who either participated in the Triennale or whose work is connected to the themes.
Meet Mies. TV in conversation about the documentary series with Alexandra Cruz from OAT.
In this series of conversations, we meet the people behind three projects developed for the jubilee programme, based on OAT's archives. The projects have been selected through an open call in collaboration with Future Architecture Platform.
En podcastsending der programleder og redaksjonsmedlem Simon Steinsvik intervjuer nettredaktør Tina Lam om +KOTEs bidrag til Oslo arkitekturtriennale i sammenheng med 20 årsjubileet. Det blir mimring om samarbeidsprosjektet City on the Move med Oslo Arkitektforening og en tease for den nye papirutgaven av magasinet som kommer ut i oktober.
An interview with Carolyn Steel about her talk "The Future of Comfort" at the triennale conference in 2013. Over gravadlax, rye crisp bread and a bottle of Solo, Carolyn's memories of Norway, are rekindled in a conversation about food, place, politics and society.
In this series of seven interviews, one for each iteration of the triennale, the British architectural writer Will Jennings is exploring some of the individuals, places, ideas and actions that have shaped twenty years of OAT. Will Jennings was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.
I dette essayet reflekterer kuratorteamet After Belonging Agency over temaet og formatet for triennalen i 2016, «Etter tilhørighet», og den faglige rollen til triennaler og biennaler i verden.
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In this essay the curatorial team After Belonging Agency reflects on the theme and format of the 2016 triennale, "After Belonging", and the role of triennials and biennials in the world.
Selling Dreams, av Ila Bêka og Louise Lemoine (2016, 23 min.) Utleiebransjen har medført store endringer i Marks liv. Fra å leve et helt vanlig A4-liv med familien, tjener han nå til livets opphold ved å leie ut fasjonable leiligheter, mens han selv bor på eksklusive hoteller og endrer adresse hver dag. I filmen avslører Mark sin noe uvanlige formel for suksess hvor han tilbyr skreddersydde drømmer for gjester på jakt etter den «den ekte skandinaviske opplevelsen». På denne måten kan han presse utleiesystemet til det ytterste og oppnå en ny form for frihet som kombinerer materiell løsrivelse og maksimal mobilitet.
A group conversation over Whatsapp with architects Åsne Hagen, Elisabeth Søiland and Silje Klepsvik, creators of the project “bnbOPEN” which focused on methods of integration and living conditions for refugees, presented in the triennale exhibition at the National Museum in 2016.
In this series of seven interviews, one for each iteration of the triennale, the British architectural writer Will Jennings is exploring some of the individuals, places, ideas and actions that have shaped twenty years of OAT. Will Jennings was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.
Med 2019-utgaven av triennalen friskt i minnet, reflekterer kuratorteamet over sin ambisjon med triennalen, og hvordan arkitektur- og byutviklingsfagene kan og må respondere på klimakrisen.
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With the last edition of the triennale fresh in mind, the curatorial team of 2019 reflects on their ambitions for the triennale and how architecture and urban development can and must respond to the climate crisis.
Bli med på barnas egen arkitekturdag midt i byen - med aktiviteter både i Myntgata 2 og på Nasjonalmuseet – Arkitektur!
På programmet står blant annet 1:1-muring med tegl, mini-muring, byvandringer, myldretegning, byplanlegging, urban-natur-rebus, digital treplanting, med mer.
Årets samarbeidspartnere er ByKuben og Nasjonalmuseet.
Landscape Healing, av Richard John Seymour (2019, 44 min.) Dokumentaren følger arkitektkontoret 3RW sitt omfattende nybrottsarbeid med å kartlegge og tilbakeføre tidligere militærområder i Norge. Ved årtusenskiftet var Forsvarsbygg landets største eiendomsforvalter. Store deler av områdene var forlatt etter militær aktivitet, og var både farlige for ferdsel og svært forurenset. Filmen viser prosessen med å «helbrede» landskapet igjen – et arkitekturprosjekt som forsøker å gjøre seg selv usynlig. 3RW arkitekter har jobbet med restaureringsprosjektet siden tidlig 2000 og er produsenter av filmen.
A conversation with director Stefan Kaegi from theater company Rimini Protocol about their performance “Society under Construction”, shown as part of OAT 2019, and how it was adapted to political, social and spatial issues in Oslo.
In this series of seven interviews, one for each iteration of the triennale, the British architectural writer Will Jennings is exploring some of the individuals, places, ideas and actions that have shaped twenty years of OAT. Will Jennings was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.
A strong component of Oslo Architecture Triennale is the exhibition and publication of research, new architectural propositions and fresh ideas for imagining the capital. The theme of 2010, Man Made, focused on innovative and progressive spatial policies with a view towards a more sustainable way of living. This included research of and propositions for the Groruddalen Valley by Geir Nummedal and Anders Hus Folkedal, then recently graduated students, and Will Jennings invited them to revisit their project, and the valley, a decade later.
In 2010 Geir Nummedal and Anders Hus Folkedal had just graduated from the Institute of Urbanism and Landscape at Oslo school of Architecture and Design. Their 2009 Diploma project Systemic Reclamation: A Functional Green Infrastructure for Groruddalen was exhibited in the 2010 Oslo Architecture Triennale exhibition Manmade Environment, and featured in the accompanying publication New Nordic Scopes (PDF here).
It was in this book that I encountered their research for the Groruddalen Valley. The valley is not a part of Oslo that features in touristic brochures, and though I had not previously heard of the suburb I recognised it as an area which every city has – and needs – in order to function. Reading their Diploma Project, now available online, outlining a wide-scale, coherent approach to reimagining the valley with a new ecology and relationship to the river Alna at the heart, I saw in it various strategies which could be successful not just in Oslo but in any similar urban-industrial landscape.
I wondered what had happened to that research, the valley’s development, and Geir and Anders themselves over the ten years since. I was curious how they now look back on the project with hindsight of ten years in practice, and with climate issues now more pronounced. Would they stick to their initial ideas? As students, were they too utopian and idealistic? Perhaps now they wouldn’t think their ideas even went far enough! Following our conversation, the landscape architects created new mappings to underpin their thoughts, build on their ideas of 2009, and illustrate this text.
THEIR 2009 PROPOSITIONS
Their 2009 Diploma Project set out to create a “functional” green infrastructure model for the valley. In a document heavy on research, data and mappings, the two designers laid out plans in which greenery wasn’t a nice afterthought, but a critical starting point which informed later developments, protecting and restoring ecosystems around the river Alna as it flows towards the city centre, based on “systemic logic of reclamation and production in an urban context.”
Their strategy suggested ways of improving air, soil and water qualities through not only the framework, but also four key project: a water treatment park at Breivoll; landfill reclamation at Stubberud; a sound barrier and emissions control along the E6 road; and a bioremediation zone and plant nursery at Nyland. Throughout, they considered various new technologies alongside traditional processes to filter pollutants from the ecosystem in what the called “overlapping systems”, for example with a strategy planting trees in the path of prevailing winds at Stubberud to filter polluted air, with contaminants soaking into groundwater and passing to the water treatment park at Breivoll.
THE GRORUDDALEN VALLEY IN 2020
The valley is an important part of Oslo’s urban functions. The roads and rail provide deliveries in and out of the city, with a number of cargo distribution centres located in the area. There is a great number of sheds and yards with manufacturing, light industrial and “dirty” processes which may not be romantically beautiful parts of the city, but are fundamental to it. The river Alna flows through the valley – Or rather it now runs under the valley, with the main and side streams predominantly contained within pipes under roads and industrial developments.
Geir and Anders are firm in their belief that the logistics and light industrial uses of the valley are important to Oslo, and in a digital age where global shipping and local distribution is even more critical, the valley as a zone of key logistical access to and from the city is valuable and to be respected. Geir says, “In 2009 we acknowledged that every city needs a back yard. You can’t have beautiful places everywhere, a city needs to function and it has different needs, and they need to be placed in a logical way to function.”
Their new mapping of the valley, below, shows in yellow major development projects which have taken place in the valley over the last ten years, while the magenta shading demarcates the area of Stubberud with buried landfill which will continue to decompose and leach contaminates into the soil for the next 30-40 years.
The whole area is very much in the municipality’s plans for development, to increase both attractivity and density. I asked the designers if they look back at their project and consider it romantic or utopian, as so many student exercises can be without the restrictions of real client, budget or programme. However, they suggest that the ongoing municipality plans are more utopian then their 2009 proposals.
They state that the modern urban desire to turn everywhere into a one-size-fits-all mixed-use area, in which residential, recreation, transport and industrial uses happily coexist in the same area, is an unrealisable and undesirable outcome of city planning. Geir states, “You have this really plugged in and super-effective cargo logistics area that is working, it might not seem a part of the city, but it’s important to its function – so do we really want to try to insert a new mixed-use urban development?”
Anders says that their discussions “quickly led us to think that maybe the logistics function should remain, but with new landscapes and systems around it to build a framework, and then it could contain even better versions of the functions, but it could also over time adapt include housing. In our view, it’s too soon to introduce mixed-purpose urban development here. If residential is to emerge into the area, then the most realistic approach would be that it grows slowly from the side and not just appear as islands within.”
I wondered if any of their ideas or strategies had come to fruition since 2009, that even though it was only a student project I was curious if any of their creative responses had been adopted by the council or developers. Geir talks me through a small Groruddalen site he has worked on in practice since, a project designing a new rail cargo hub for the post office. With hard work he was able to bring a section of the river Alna – long concealed within pipes underground – back to the surface, allowing in this small locality an area of water treatment and blue/green landscaping. It’s an example of how the Diploma Project can be applied to the terrain, though he acknowledges that in the wider scheme it’s tiny and “not part of a larger plan, just by chance that a stream could be opened up”.
This reminder of the need of a larger framework was a recurring theme in our conversation, that a fragmented approach of small interventions such as the postal service site simply wont holistically solve the environmental issues of the area or offer a structure for cohesive development, and it leads into one of their primary critiques of their own work a decade earlier.
UPDATING THEIR 2009 PLANS
Looking back, they recognise that their 2009 designs concentrated so much on the grand projects at the four locations that the interconnectivity between them all wasn’t considered as profoundly as they would now propose. They show me mappings from the post-war city redevelopment plans of 1949, demarcating strong green corridors wrapping through and around Groruddalen, compartmentalising the various communities but also creating a coherent ecological structure binding the whole valley. They say that the suburb has been developed “almost perfectly” in line with these post-war plans laid out in 1949, except as Anders states, “the green has been sacrificed – it’s a classic example where the soft qualities have been lost.” Over time, the green network has been subsumed below industrial development, the river buried into pipes, and the coherence of the 1949 plan abandoned.
Their 2020 proposals would recognise the intent of that 1949 plan, and build on their 2009 project, by stitching together the four primary project sites, embedding stronger green corridors through the whole valley. Their new map, above, shows in red where they would now propose reclamation of land in order to create a larger green buffer to create an ecological spine.
This wider corridor expands on their 2009 proposals profoundly, giving the ecological infrastructure greater strength and resilience to future developments, and creating a coherent interconnectivity along the length of the valley. Their new mapping, below right, shows the total extent of the newly proposed core green infrastructure, and is a clear expansion upon their 2009 proposals, below left.
PLANNING A NEW BREIVOLL
Geir and Anders’ most radical suggestion which has emerged from their invitation to revisit their 2009 work is complicated for them. Ten years ago, their proposals were not just picked up by Oslo Architecture Triennale, but also the municipality, who used the pair’s diagrams and proposals to create a narrow river park around the re-surfaced Alna in their 2010 Planprogram for Breivoll. That their graduate project could be acknowledged at political level and partially incorporated into official planning documents is a mark of success for their research and design solutions – but in retrospect, but also led to some regret.
The Breivoll area of Groruddalen was the imagined site for Geir and Anders’ grand water treatment park in their 2010 project. An ecological landscape of 200,000m2, creating one of the city’s largest parks and providing not only recreational space but, more fundamentally, a vast water-treatment facility to clean contaminants from groundwater and run-off flowing down the valley to the fjord. The Alna would have been brought up from subterranean pipes to the surface, while bioremediation terraces, wetlands, basins and careful planting would act as a series of stages cleansing the water en route through the valley. At Stubberud, just to the east along the E6 road, they proposed a sloped forested landscape to buffer cold air drawn down the valley, contaminants from the polluted air adhering to the leaves and finding their way into groundwater before passing through the Breivoll water treatment park. An audacious and grand statement, but the pair now wish they had been even bolder!
The municipality’s Planprogram for Breivoll earmarks the area south of the E6 and west of the railway for a dense mixed-use scheme centred on a new Breivoll station. But Anders points out that this site is far from ideal and that this kind development should not take place here because such an urban build up restricts natural large-scale airflow through the valley leading to a settling of polluted air which can sit for days, stagnating. The waterpark not only cleans the water, but creates a wide open space allowing free passage of air down the length of the valley, preventing the settling.
Anders says of such a Breivoll development “...you’re just clogging up the valley even more. As you have this cold air it drains down to the 2m level, stays there and stagnates, so you get a kind of toxic air in winter. If you gave asthma, you better stay away. And we regret that we didn’t make this area even bigger and greener because we knew of the municipality proposals to build this area. But maybe if we were bolder they wouldn’t have put our Alna river ideas in.”
Here lies their complicated regret. In hindsight, if they had proposed that this whole vast area was dedicated to a green landscape, as they suggest in their 2020 update, then the municipality may have not have incorporated their smaller proposal to bring the Alna to the surface around a narrow river park. But as it is, the park is a small add-on to a standard mixed-use development which they perceive to be in an inappropriate site.
Their 2020 update of the scheme emphasises this. Their mapping, below, shows an enlarged version of the water treatment park, in green, which completely covers the proposed development site. Radically, they also propose burying the E6 into a tunnel, which Anders states is “crucial for establishing the water cleaning park”, adding that “it may be radical, but logical – not doing anything to the highway means status quo in terms of ventilation, air and water pollution, and future transformation.” The pair point out that this would be led by the Norwegian government, in charge of the roads, working with the city municipality to “kickstart a new ecological approach for the future development of Oslo eastwards”.
Shown in blue on the mapping, wide areas either side of the water park, and above the newly buried road, offer space for green landscaping that could in time be sacrificed for new developments as the area needs, leaving the core ecological corridor.
Alongside the structural landscape suggestions for Breivoll and expansion of the green corridor throughout the valley, Geir and Anders propose have six key points:
1. That progress should be made in bringing the Alna to the surface, out of the pipes, and to use this to realise plans for a river park as a spine down the valley.
2. To better ventilate the valley’s large-scale natural airflow, preventing the stagnation of very still, polluted air which can stay in the same place for days.
3. Stopping pollution from entering the water system.
4. To not deny that logistics and light industry are important elements of the city, but instead to work with the specific requirements of these sectors to work with, not against, ecological plans.
5. To increase the buffering capacity of the urban ecology, in air, soil and water.
6. To allow this framework to provide the foundations for future urban development of Stubberud landfill areas to the north east of the valley.
THEIR FINAL THOUGHTS
The main critique the pair wished to raise was the need of continuity: Continuity of ecological spaces, to create corridors which connect all the way through the valley; and a continuity of thought in treating the whole of the Groruddalen Valley as a site, rather than a collection of smaller parcels. They emphasise that such systems, critical to the wider city as much as the local, need space to work, and can’t simply be squeezed in at the edges of new mixed-use developments. These ideas of interconnectedness, they state, were at the heart of their 2010 project though they now see did not go far enough, and in this 2020 update are reinforced and expanded upon.
Critical to all architectural practice now is, or should be, climate breakdown, and Geir speaks of how the urgency of our response has changed immensely over the last decade, and this may have opened people up to new methods and ideas. He says, hopefully, that “governments and the general population might now be more ready for taking on new responsibilities in urban contexts, so we can actually organise our urban growth within an ecologically sustainable system.”
Geir and Anders said that it was “timely” to look back at their scheme and appreciated this invitation from Oslo Architecture Triennale to reconsider their student project with a hindsight of ten years expertise and knowledge. The new mappings drawn during their conversations critiquing, assessing and updating their student project, also act as a creative outcome from this 20 year anniversary of the Triennale – provocations which can feed into the ongoing discussions of the city.
In this series of seven interviews, one for each iteration of the triennale, the British architectural writer Will Jennings is exploring some of the individuals, places, ideas and actions that have shaped twenty years of OAT. Will Jennings was selected to participate in the jubilee through an open call in collaboration with Future Architecture Platform.